{"id":169462,"date":"2024-01-13T15:53:45","date_gmt":"2024-01-13T15:53:45","guid":{"rendered":"https:\/\/culture.org\/?p=169462"},"modified":"2024-02-12T09:42:20","modified_gmt":"2024-02-12T09:42:20","slug":"rybolovlev-russian-billionaires-art-fraud-case-against-sothebys","status":"publish","type":"post","link":"https:\/\/culture.org\/art-and-culture\/rybolovlev-russian-billionaires-art-fraud-case-against-sothebys\/","title":{"rendered":"Rybolovlev Russian Billionaire’s Art Fraud Case Against Sotheby’s"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Explore the complex legal battle between Russian billionaire Dmitry Rybolovlev and Sotheby’s auction house, involving allegations of massive art fraud and deceit in the art world.<\/span><\/p>\n <!-- <script type=\"text\/javascript\">\r\n jQuery(document).ready(function() {\r\n jQuery(\".key-accordion-item .key-menu\").on(\"click\", function() {\r\n if (jQuery(this).parent().hasClass(\"active\")) {\r\n jQuery(this).next().slideUp();\r\n jQuery(this).parent().removeClass(\"active\");\r\n } else {\r\n jQuery(\".key-content\").slideUp();\r\n jQuery(\".key-accordion-item\").removeClass(\"active\");\r\n jQuery(this).parent().addClass(\"active\");\r\n jQuery(this).next().slideDown();\r\n }\r\n });\r\n })\r\n <\/script> -->\r\n\r\n\r\n <!-- start html -->\r\n\r\n <div class=\"news-key-takeaway-wapper\">\r\n <span style=\"background-color:#4db2ee;\">Key Takeaways<\/span>\r\n <ul class=\"news-key-nbox\" style=\"border-color:#4db2ee;background-color:rgba(77, 178, 238, 0.1);\">\r\n <li>Russian billionaire Dmitry Rybolovlev accuses Sotheby's of complicity in a multi-million dollar art fraud.<\/li>\r\n <li>The case focuses on inflated artwork prices, including the sale of Leonardo da Vinci's \"Salvator Mundi.\"<\/li>\r\n <li>Sotheby's denies the allegations, asserting adherence to legal and industry standards.<\/li>\r\n <\/ul>\r\n <\/div>\r\n \n<h2><b>Rybolovlev vs. Sotheby’s: The High-Stakes Art Fraud Allegations<\/b><\/h2>\n<p><a href=\"https:\/\/culture.org\/art-and-culture\/the-international-olympic-committees-decision-on-russian-and-belarusian-athletes-controversial-and-uncertain\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Russian<\/span><\/a><span style=\"font-weight: 400;\"> billionaire Dmitry Rybolovlev has accused the renowned auction house Sotheby’s of participating in an elaborate art fraud scheme. This high-profile legal battle revolves around the sale of masterpieces, including Leonardo da Vinci’s “Salvator Mundi.”<\/span><\/p>\n<h2><b>The Accusation<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">Rybolovlev alleges that Sotheby’s colluded with art dealer Yves Bouvier to inflate the values of artworks, leading him to overpay significantly. He spent approximately $2 billion from 2002 to 2014 to acquire a collection of world-class art. Rybolovlev claims Bouvier, who assisted in acquiring these artworks, deceived him by purchasing the works at a lower price and then selling them to him at much higher prices.<\/span><\/p>\n<h2><b>Key Artworks and Financial Implications<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">Famous artworks involved include Gustav Klimt’s “Wasserschlangen II,” Amedeo Modigliani’s “T\u00eate,” and Ren\u00e9 Magritte\u2019s “Le Domaine d\u2019Arnheim.” Rybolovlev sold “Salvator Mundi” in 2017 for $450.3 million, a record price for a painting. He claims that the total overpayment caused by Bouvier’s markups amounts to approximately $1 billion on 38 paintings over 11 years.<\/span><\/p>\n<h2><b>Legal Proceedings<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">The case, officially titled Accent Delight International Ltd et al v Sotheby’s et al, is being heard in the U.S. District Court, Southern District of New York. US district court judge Jesse Furman has ruled that Sotheby’s must face part of the lawsuit, particularly fraud-related claims involving the sales of four artworks: “Salvator Mundi,” “T\u00eate,” “Wasserschlangen II,” and “Le Domaine d\u2019Arnheim.” The trial is expected to provide insight into high-stakes art transactions and their impact on auction houses.<\/span><\/p>\n<h2><b>Sotheby’s Defense<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">Sotheby’s has consistently denied any wrongdoing, asserting adherence to legal requirements and industry best practices. The auction house claims it had no knowledge of any<\/span><a href=\"https:\/\/culture.org\/news\/extensive-theft-and-damage-at-the-british-museum\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\"> fraudulent activities<\/span><\/a><span style=\"font-weight: 400;\"> or misconduct by Bouvier. Sotheby’s legal team emphasizes that their involvement in the transactions followed standard operating procedures.<\/span><\/p>\n<h2><b>Current Status<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">As of early 2024, the trial is ongoing, with both sides presenting their arguments. Rybolovlev’s legal team has emphasized the role of Sotheby’s executives in the alleged fraud, while Sotheby’s defense focuses on its lack of involvement in Bouvier’s actions.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":10028,"featured_media":170131,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[410],"tags":[],"class_list":["post-169462","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-and-culture"],"acf":[],"_links":{"self":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts\/169462"}],"collection":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/users\/10028"}],"replies":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/comments?post=169462"}],"version-history":[{"count":0,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts\/169462\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/media\/170131"}],"wp:attachment":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/media?parent=169462"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/categories?post=169462"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/tags?post=169462"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}