The album took four years to create, starting as a simple project but growing into a full album thanks to A&R man Matt \u201cM80\u201d Markoff.<\/li>\r\n <\/ul>\r\n <\/div>\r\n \nHow Rakim\u2019s New Album Was Created<\/h2>\n
The album’s creation wasn’t easy. It started as a small EP but became a full album <\/b>over four years. This was possible because of Matt \u201cM80\u201d Markoff, who never gave up on the project.<\/p>\n
\u201cI\u2019ve known [Rakim’s longtime manager] Matt [Kemp] and Rakim since 2007<\/i>,” says Markoff.<\/p>\n
“They’re used to getting calls from me a couple of times a year just for, like, show referrals, verse referrals, things of that nature.<\/i>”<\/p>\n
During the pandemic, Markoff talked to Fat Beats, a big name in independent hip-hop. They agreed to a three or four-song EP with Rakim<\/b>.<\/p>\n
However, as Rakim worked with producers like DJ Premier and Pete Rock, the project grew. Jazzy Jeff later joined and helped shape the album into what it is today.<\/p>\n
Rakim the Producer<\/h2>\n
Rakim showed his love for making beats on this album<\/b>. “I always was attached to making beats<\/i>,” Rakim told Grammy.com.<\/p>\n
“But I got to the point where I\u2019m confident with my production now. I got the chance to produce the album and jumped at the opportunity.<\/i>”<\/p>\n
Rakim didn\u2019t just produce; he also added scratches and played instruments.<\/p>\n
He likes to add melodies and rhythms to samples, making them better. This project let him fully explore his musical skills<\/b>.<\/p>\nCollaborations and Guest Appearances<\/h2>\n
The album features many guest artists, such as Method Man, Kurupt, and Masta Killa<\/b>. It also features posthumous verses from Nipsey Hussle, Prodigy, DMX, and Fred the Godson<\/b>.<\/p>\n
These verses came from Markoff\u2019s collection and fit perfectly into the album.<\/p>\n
Markoff recalls the moment he secured Masta Killa’s involvement,<\/p>\n
“I was at the first-ever Wu-Tang Clan residency in Vegas, and I told Masta Killa, \u2018Dude, I just got these Rakim beats 10 minutes ago.’ I played 10 seconds of the second beat, which was the beat for \u2018BE ILL.’ And he was like, \u2018That’s the one.<\/i>‘.”<\/p>\nThe Song “Love Is the Message”<\/h2>\n
One standout track, “Love Is the Message,” features a verse from Nipsey Hussle. Rakim and his team made the whole song to honor Hussle’s legacy<\/b>.<\/p>\n
“We kind of glorified who he is and came up with the title \u2018Love Is the Message’ to put everything in perspective,<\/i>” Rakim explains.<\/p>\nRakim Reflects on the Album\u2019s Praise<\/h2>\n
Rakim feels grateful for the support from his peers. “Hearing praise from my peers is beautiful,”<\/i> he says, moved by the tributes from fellow artists.<\/p>\n
For Markoff, the journey to bring new Rakim music to the world was a dream fulfilled. \u201cDream fulfilled,\u201d<\/i> he said. \u201cNow I gotta figure out what I\u2019m going to do for the rest of my life.\u201d<\/i><\/p>\n
Finishing G.O.D\u2019s Network \u2013 REB7RTH<\/i> is a significant moment in Rakim’s career, as the celebrated rapper gets to showcase his talents as both an MC and a producer.<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":10028,"featured_media":173860,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[398],"tags":[],"class_list":["post-173846","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music"],"acf":[],"_links":{"self":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts\/173846"}],"collection":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/users\/10028"}],"replies":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/comments?post=173846"}],"version-history":[{"count":0,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts\/173846\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/media\/173860"}],"wp:attachment":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/media?parent=173846"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/categories?post=173846"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/tags?post=173846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}